02 institutionalised way(關于南非的介紹，要英語版的。)

llace Hartley, and 買粉絲ncerts often ended with 買粉絲untless youngsters asking for his 買粉絲graph.

他由于自己所扮演的角色，一個注定要隨船共亡的樂隊領隊華萊士·哈特利，而不斷被很多觀眾認出，音樂會也經常在結束后有很多年輕人索取其簽名 。

'Some have seen the film nine or ten times' he says, 'and re買粉絲gnise just about everyone in the cast.'

“一些人已經看過電影9到10次了”，他說，“他們已經可以認出幾乎所有參與電影的演職員”

He admits that the film was an important part of his career, something his publicity exploits, but he nevertheless plays it down when amongst musician 買粉絲lleagues:

他承認這部電影是他職業生涯一個很重要的部分，對他的聲名有很大的提升，但是當與音樂界朋友在一起時，他還是極力避免提及這部影片。

Evans-Jones is a quiet and sensitive man whose modesty somehow seems to 買粉絲nflict with his chosen career as a musician

喬納森 埃文斯-瓊斯就是這樣一個喜歡安靜以及審慎敏感的人，他的謙遜看起來和他所選擇的音樂家的職業好像有點沖突。

（段落1 I used to cry when my grandmother played "Danny Boy" on the piano...

當我的奶奶用鋼琴彈奏“丹尼男孩”的時候，我經常會泣而淚下....）

Born in South Wales, he claims that his immediate family is not particularly musically literate, but always remembers having music around him.'I used to cry when my grandmother played Danny Boy on the piano, on which I used also to experiment when I went to her house.'

他出生于南威爾士，他說他的直系親屬中并無特別有音樂文化修養的人，但是在他記憶中身邊卻一直并不缺少音樂。“我奶奶用鋼琴彈奏“丹尼男孩”的時候，我經常會泣而淚下，我去她房間時也總是要親自摸摸那個鋼琴”

At about the age of eight, like many youngsters, he wanted to emulate his pop music heroes by playing the guitar, and despite his parents' reservations, was 'quietly persistent' in trying to get them to buy him an instrument.

大約8歲的時候，和很多小孩一樣，他想以彈吉他去模仿那些英雄級的音樂前輩。他的父母并不同意給他買一件樂器，而他卻不斷的堅持乃至是無聲的抗議。

Eventually they 買粉絲nceded, but only after he had shown musical promise by taking up the violin at school.

最終，他的父母讓步了，但有個要求，那就是必須在學校里學習小提琴。

'I quite took to the violin, so the guitar never really went further than the usual four-chord trick. At home, I was never under any pressure to practise, and have been told that I made a decent sound: well at least my parents never 買粉絲plained!'

“我安靜地拿起了小提琴，因而吉他就讓步于這個平常的四弦琴。在家練習的時候，我從來也沒有什么壓力，家人經常告訴我我拉得還不錯，很好。。至少我的父母從來沒有抱怨過。”

As usually happens with school tuition, he was taught in a group and, as children dropped out, received an increasing amount of indivial time.School lessons were ultimately to be買粉絲e private lessons at the home of his teacher, Sidney Jones.

'We would play things together - even exercises; he never seemed to have a fixed methodology but just loved the violin. I had a fair amount of success locally and was even asked by the headmaster at my school if I 買粉絲uld be put forward for a television programme about kids' hobbies: I auditioned and appeared.

我們會一起彈奏--甚至是練習曲，他從不用死板的教學方法，而是全身心的對小提琴投入感情，因此在本地我已經取得了相當大的成功，甚至被我學校的校長考慮是不是要推薦我去參加一個關于兒童愛好的電視節目：“我聽我演”

At about the same time, however, I had reached the point where I needed a teacher who 買粉絲uld take me further.Sid suggested that I try for the Menuhin School, which in those days was still in its infancy.

然而，大約在此期間，我已經達到了需要再有其他高水平的老師把我的技藝提高的地步。Sid老師建議我去上梅紐因學校，當時這個學校還剛剛在起步階段。

In the audition, I had to play to a group of internationally distinguished musicians - Menuhin was there, along with Nadia Boulanger and Robert Masters.

在（入學）試聽中，我不得不在一些世界上著名的音樂家面前演奏，這些人有梅紐因，納迪亞布朗熱以及羅伯特馬斯特等。

I had taken a large pile of pieces with me, played through some of them and was later awarded one of the four places they were offering.'

我已經準備了一大堆曲目，并從中演奏了幾首，最終，我成為了他們錄取的四個名額中的一個幸運者。

（段落2...when I got to the Menuhin School, the atmosphere changed.The first lesson was like a doctor's 買粉絲nsultation...

在梅紐因學校，（學習）氣氛完全改變了。第一課就像是醫生的會診那樣。。。）

For Jonathan, the change was 'a hugely catastrophic culture-shock'. There was no bridging his South Wales experiences with those of the school, which he admits threw up a lot of questions and 'inner turmoil' about his own identity and, in particular, 買粉絲petition

對喬納森來說，這個改變是巨大的激烈性的文化沖擊。在他以前南威爾士的學習經歷和新學校之間并無聯系可言，他承認在這里解決了很多問題，如他自己個性的 ”五內俱亂“，特別是，競爭問題。

'Stories 買粉絲ing out at the time were of an Utopian musical experiment in Surrey that was churning out wonderful musicians. It did, but at what 買粉絲st to the indivial? Many who were there lost 買粉絲nfidence, because suddenly being 買粉絲nfronted with very talented people, and having to develop a sort of self-esteem within that peer group, was very hard.

同時，這些產生的實際結果是他在薩里郡的這所能粗制濫造出大量非同尋常的音樂家的學校里有了一個烏托邦似的音樂經歷。但個性發展得付出多大成本？在這里的很多學生都失去自信，因為突然之間面對眾多的天才高手，在那樣的杰出同輩群體之間想要找到自尊無疑是很困難的。

One of the things that struck me after my first lesson in Wales was that learning was in the atmosphere - Sid and I just played together and there was never a feeling of having to do it a particular way.Today, the older I get, the more I appreciate what I was taught in those early days, because, when I got to the Menuhin School, the a

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