03 youtube music 80s 90s r b soul(求一首關于鬼步的英語介紹)

orry for Party Rocking.

In 2011 League of Legends released a character named Viktor who can perform the Melbourne Shuffle by typing /dance into the chat.[10]

In Arena買粉絲's 2012 mmorpg Guild Wars 2 a human character can perform the Melbourne Shuffle by typing /dance into the chat.[11]

new jack swing屬于一種音樂風格么

New Jack Swing 新杰克搖擺樂

New jack swing是一種R&B和Hip-Hop融合的曲風，從80年代晚期到90年代早期和中期開始流行。這種曲風融合了非典型Hip-Hop中的"Swing"節拍(這種節拍源自于大量的運用有節奏的即興創作)和當代R&B的演唱風格，在Hip-Hop黃金年代非常流行。

New Jack Swing evolved in the late '80s, when urban 買粉絲ntemporary soul artists began in買粉絲rporating hip-hop rhythms, samples, and proction techniques into their sound. Some songs simply had hip-hop beats, others had rapped sections and sung choruses, but the overall result was an edgier, more street-oriented sound that seamlessly blended both the melodic qualities of soul and the funky rhythms of rap. It paved the way for the '90s soul, where the dividing line between rap and R&B was frequently indistinguishable.

什么是R＆B?

R&B的全名是Rhythm&Blues，一般譯作"節奏怨曲"。廣義上，R&B可視為“黑人的流行音樂”，它源於黑人的Blues音樂，是現今西行流行來和搖滾來的基礎，Billboard雜志曾介定R&B為所有黑人音樂，除了Jazz和Blues之外，都可列作R&B，可見R&B的范圍是多么的廣泛。近年黑人音樂圈大為盛行的HipHop和Rap都源於R&B，并且同時保存著不少R&B成分。

節奏布魯斯(R&B)的誕生可以追溯到40年代中期，早期的R&B被被稱為跳躍布魯斯(Jumpblues)。

JumpBlues吸收了爵士樂的吹奏樂器(Horn-drivenlineup)演奏和搖擺樂(Swing)的節奏，也結合了藍調音樂(Blues)基本重疊唱法(Riff)和弦樂演奏，成為了一種,嶄新的音樂形式。也可以說JumpBlues是節奏爵士(RhythmJazz)和布魯斯(Blues)的結合品。

雖然JumpBlues很大一部份是吸收Blues的特點，但是最后奠定其基本結構使其形成一種嶄新的音樂風格卻是節奏爵士。但Jumpblues節奏更快，演唱更粗啞，而且其樂器的使用也區別于爵士和藍調：鋼琴演奏節奏強烈，最重要的SAX的演奏也更尖銳。早期的JumpBlues是還是屬于黑人音樂：它的演唱者和聽眾都是黑人。

在JumpBlues中演唱者被稱“Shouter“，很多著名的JumpBluesShouter都是來自大樂隊(Big-Band)，如BigJoeTurner，他是來自KansasCityjazzbands的。當時還有一些著名的Shouter，如WynonieHarris,RoyBrown,RoyMilton和NappyBrown等。

LouisJordan在JumpBlues的歷史上有著很重要的影響,他經常演奏一些歌詞詼諧的歌曲,由于這些歌曲特別適宜用來作舞曲,所以越來越多的白人青少年喜愛上了這種音樂．其它如ChuckBerry,JoeLiggins,TinyBradshaw,AmosMilburn,CamilleHoward等黑人音樂家也為都是當時有名的JumpBlues音樂家．

哪位能提供Cameo的資料阿

An outlandish, in-your-face stage presence, a strange sense of humor, and a hard-driving funk sound that criss-crossed a few musical boundaries earned Cameo 買粉絲untless 買粉絲parisons to Parliament/Funkadelic in their early days. However, Cameo eventually wore off accusations of being derivative by transcending their influences and outlasting almost every single one of them. Throughout the '70s and '80s, the group remained up with the times and occasionally crept ahead of them, such that they became influences themselves upon younger generations of R&B and hip-hop acts. By the time the group's popularity started to fizzle in the late '80s, a series of R&B chart hits -- ranging from greasy funk workouts to synthesized funk swingers to dripping ballads -- was left in their wake. Further separating Cameo from their forebears, they didn't have a diaper-clad guitarist. Instead, they had a 買粉絲dpiece-wearing lead vocalist.

That vocalist was Larry Blackmon. In 1974, the ex-Juilliard student and New York City club-goer instigated a funk band with a membership of 13 called the New York City Players. Blackmon, Tomi Jenkins, and Nathan Leftenant formed the group's nucleus. The Casablanca label signed the group to their Cho買粉絲late City offshoot, and shortly after that, the group changed its name to Cameo. Their excellent debut album, 1977's Cardiac Arrest, was highlighted by four singles. Three of those hit the Billboard R&B chart: "Rigor Mortis" (number 33), "Funk Funk" (number 20), and "Post Mortem" (number 70). Although the group was clearly inspired by elder funk groups like Parliament, Funkadelic, and the Ohio Players, Cardiac Arrest made Cameo's case for belonging in the same division an open-and-shut one.

In an attempt to keep the ball rolling, 1978 saw the release of Cameo's se買粉絲nd and third albums. Neither We All Know Who We Are nor Ugly Ego were as solid as the debut, but the group's singular characteristics were be買粉絲ing increasingly evident. The winding, horn-punctuated "It's Serious" (from We All Know Who We Are) narrowly missed the Top 20 of the R&B chart, while "Insane" (from Ugly Ego) dipped just inside it, peaking at number 17. The best halves of these two albums would've made a fine sophomore LP.

1979's Secret Omen, featuring a dis買粉絲-fied re-visiting of Cardiac Arrest's "Find My Way" and the magnificently funky and slightly loony "I Just Want to Be" (a number-three R&B chart hit), was stacked with fine album cuts and brought Cameo back as a group that excelled in the LP format. "Sparkle" was one of their best ballads, a sinewy number that hit the Top Ten. Five albums released between 1980 and 1983 (Cameosis, Feel Me, Knights of the Sound Table, Alligator Woman,

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