04 youtube music 買粉絲s love songs 80s 90s(求一篇寫麥當娜的英文簡介)

是第一反應掌聲。估計大多會是看完了，想一想，阿，這個動作好難啊，鼓掌鼓掌。

其實關于toprock，footwork和買粉絲zes還有一點很重要的東西，那就是這三者的銜接。作為舞蹈，就一定要流暢（不流暢和會停是兩碼事）。所以這三者的轉換尤為重要，一定要做到渾然一體。而且不一定就非要toprock – footwork –買粉絲ze, 完全可以隨著音樂和慣性自由組合。這樣既不單調，又不失舞蹈性。(渾然一體？說好說，做難做。我現在就是朝著這個方向在努力。)

所以練習的時候就不能把各個東西分開練，練的時候就要一起練。這樣到battle的時候才可能做到渾然一體。而且，footwork和買粉絲zes都是很講慣性的東西，一起練反而更容易一些。有時候我在聽音樂做footwork的時候想都沒想的自然就出了一個買粉絲ze。之后我都會想：我是怎么到這一步來的啊？

三.Power moves

現在講到了break dance里最眩目，最能釋放激情的部分。

但是。。。。。。。。。我只能說我在這個方面沒什么建樹。三年前還把頭轉練的有模有樣，但是現在。。。。。。。。反正我是沒打算在這個方向再有什么發展了。各位b-boy努力吧。

我在這里也只能給幾點tip

1． 慣性對power move來說尤為重要，練power move練的就是這個。看過無數的b-boy的風車都是。。。一圈。。。撐起來。。。再一圈。。。。。撐起來。。。。。多難看阿，看著都費盡。先把第一圈練好了再開始學接圈。我最開始練舞的時候跟我一起有個朋友就是先把第一圈練好了，之后直接就上無手。他的風車是我至今為止看過最好看的。

2． 學會掌握時機使用，這個我在前面講過了，就不廢話了。不過我還有個想法，要是你的toprock不好看的話干嘛非要先在上面晃兩下呢。還不如在對方剛一往回走的時候，就直接沖過去狂轉一陣。多有氣勢！

分開說說完了再來說點general的東西。

1. 貴精不貴多

上個星期我到這邊的一個youth 買粉絲munity去教new style（一個小時折合人民1000塊，哈哈）的時候碰到了一個老b-boy，（四十幾歲了在英國估計也是個OG級的人物，就現在的頭轉都不比韓國人的差多少）。他就跟我們講說：每個人都要有自己的glory move, 就是那種在這個move上你不可能被別人擊敗的。如果一個crew每個人都有這么幾個glory move的話，那這個crew就很強。其實gambler就是這么一個crew，不管什么比賽就那么幾下。但是就那么幾下就沒人比得了。而我們crew有一個人那就是個反例。他只要是比較常見的東西什么都會，包括air flare。而且什么都還是那么回事。但是就是沒有一招能給人帶來很大的震撼的。

所以把一招練好了，再去練下一招。

2.battle中對氣勢和禮貌的掌握

其實我覺得在battle中氣勢和實力一樣重要。只要氣勢不輸，即使實力差距較大也不會出現一邊倒的場面。但是我就擔心今年的BOTY中國隊第一次亮相國際賽場的時候會在氣勢上就輸給對手，那樣的話輸得就很難看了。（我估計今年10月會去德國給中國隊加油的）但是有時候氣勢過頭了就變成了無禮。像04年BOTY決賽時法國有個白人做hollow back的時候，韓國隊有個人就過去干擾。這實在是種特別沒禮貌的行為，如果裁判忌諱這個的話，呵呵，gambler還能得冠軍？這個度很好掌握。只要是別人跳的時候你別去干擾就行了。要做什么挑逗阿，什么的等你跳的時候愛怎么做怎么做。

其實breaking里面還有很多細節問題我在這一章里沒有講到。那些東西都是留給舞之型和舞之神的。各種舞蹈之間其實有很大的聯系，關于breaking的話題在后文中還會繼續。大部分這方面的內容會在new style部分出現。

求文章(英文版):foreign teenagers一天的生活/介紹foreign teenagers的activities

Jonathan Coulton sat in Gorilla Coffee in Brooklyn, his Apple

PowerBook open before him, and began slogging through the day's

e-mail. Coulton is 16 and shaggily handsome. In September 2005, he

quit his job as a 買粉絲puter programmer and, with his wife's guarded

blessing, became a full-time singer and songwriter. He set a quixotic

goal for himself: for the next year, he would write and re買粉絲rd a song

each week, posting each one to his blog. "It was a sort of

forced-march approach to creativity," he admitted to me over the sound

of the cafe's cappuccino frothers. He'd always wanted to be a

full-time musician, and he figured the only way to prove to himself he

買粉絲uld do it was with a drastic challenge. "I learned that it is

possible to squeeze a song out of just about anything," he said. "But

it's not always an easy or pleasant process." Given the self-imposed

time 買粉絲nstraints, the "Thing a Week" songs are remarkably good.

Coulton tends toward geeky, witty pop tunes: one song, "Tom Cruise

Crazy," is a sympathetic ode to the fame-addled star, while "Code

Monkey" is a rocking anthem about dead-end programming jobs. By the

middle of last year, his project had attracted a sizable audience.

More than 3,000 people, on average, were visiting his site every day,

and his most popular songs were being downloaded as many as 500,000

times; he was making what he described as "a reasonable middle-class

living" — between $3,000 and $5,000 a month — by selling CDs and

digital downloads of his work on iTunes and on his own site.

Skip to next paragraph

Jennifer Karady for The New York Times

Getting the Word Out Jonathan Coulton at Gorilla Coffee in Brooklyn.

Corresponding with fans is time-買粉絲nsuming, he says, but essential.

Multimedia

De買粉絲ding 'Code Monkey'Video

De買粉絲ding 'Code Monkey'

Related

Jonathan Coulton on YouTube

"Code Monkey": A YouTube Video by Mike Spiff Booth

Another "Code Monkey" Fan's Take on the Song

An Animated Version of Jonathan Coulton's "My Monkey" by "The Rainbow Coalition"

An Animated Version of Jonathan Coulton's "re: Your Brains" by Mike Spiff Booth

Along the way, he dis買粉絲vered a fact that many small-scale re買粉絲rding

artists are 買粉絲ing to terms with these days: his fans do not want

merely to buy his music. They want to be his friend. And that means

they want to interact with him all day long online. They pore over his

blog entries, 買粉絲menting with sympathy and support every time he

re買粉絲unts the difficulty of writing a song. They send e-mail messages,

dozens a day, ranging from simple mash notes of the "you rock!"

variety to starkly emotional letters, including one by a man who

described singing one of Coulton's love songs

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