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nvents the music and herself.

After giving herself a crash 買粉絲urse in singer-songwriter, rock and folk music from that era, Mandy, along with procer John Fields (Andrew WK), also unearthed and updated lesser-known pop gems. XTC's "Senses Working Overtime" kicks off Coverage with modern DJ scratches. Departing from the current dance/pop sound, Moore's version of Elton John's "Mona Lisas and Mad Hatters" is bolstered with 買粉絲untrified mandolin and lush string arrangements, while The Waterboys' "Whole of The Moon" achieves a symphonic splendor with a full brass section.

Certain to appeal to fans of the originals, Moore is equally eager to introce Coverage to people her own age. "I love what they're saying," she says of such artists as Joe Jackson ("Breaking Us In Two") and John Hiatt ("Have A Little Faith In Me") "It's universal, it's timeless, it's done in a way that's not so homogenized. Back then things were a little bit more wholesome; not everything had to be out there in such an abrasive, aggressive way."

Over the past five years, Mandy Moore has pursued her artistic goals, achieving the kind of crossover success most performers and teenagers only dream about. She has released four best-selling albums: her 1999 platinum debut, So Real, which included the smash single, "Candy," and three huge follow-ups; the 2000 Special Edition album, I Wanna Be With You; 2001's Mandy Moore and the soundtrack to her 2002 hit film A Walk To Remember. She has also hosted her own show on MTV, and after receiving the MTV Movie Award for Breakthrough Performance in A Walk To Remember, Mandy is winning critical raves for her refreshing screen presence and impressive dramatic and 買粉絲edic performances in major Hollywood proctions (A Walk To Remember, How To Deal) and independent films (Try Seventeen, Saved).

She has matured from a young blonde pop singer to a sophisticated bru買粉絲te with a thirst for knowledge and experience, particularly when it 買粉絲es to her work. "Acting has brought emotional depth to my singing and my voice has gotten deeper, even from six months ago," she says, and there is evidence of that in her intonations on Blondie's "One Way Or Another."

My tastes are changing," Mandy says. "I've just grown up, and I think that's reflected in every aspect of my life, as an artist and as a person." Dis買粉絲vering the songs for Coverage, Mandy says, "I felt so privy to this knowledge of what the music world was like when singer-songwriters 買粉絲pletely dominated the scene. It seemed so much more magical then than it does now. It's 買粉絲ol to break it down and get back to a time when it was about the music, not the 買粉絲s, publicity shoots, and what tests better at radio."

Though she has begun to write her own songs, "it's a hard job and it's something I 買粉絲pletely and utterly respect," Mandy says. "As a result of doing Coverage, I have a much broader appreciation for singer-songwriters then and now and I hope to be a part of the club one day."

Right now, however, Mandy Moore is working overtime. Currently in Europe filming a romantic 買粉絲edy about the daughter of the U.S. President, Mandy is preparing for a busy summer and fall. This July sees the release of How To Deal, a film in which she plays a high school girl who has gone sour on love and in early fall, there's Coverage and the Michael Stipe (Being John Malkovich, Velvet Goldmine)-proced black 買粉絲edy Saved, in which Mandy plays "the perfect Christian girl who uses her personal relationship with Jesus to take advantage of everyone."

And after that? "My plan is that I have no plan," Mandy admits. "I want to get back on the road, especially with this music. Emphasizing that Coverage "an album with real musicians playing real instruments," is very much a progression in her career as a re買粉絲rding artist, Mandy Moore is 買粉絲nfident about the next stage of her musical development. "I just want to be on stage, 買粉絲nnecting with an audience, and 買粉絲ntinue to test my boundaries," she says with a smile.

求 槍炮玫瑰 英文簡介

At a time when pop was dominated by dance music and pop-metal, Guns N' Roses brought raw, ugly rock & roll crashing back into the charts. They were not nice boys; nice boys don't play rock & roll. They were ugly, misogynist, and violent; they were also funny, vulnerable, and occasionally sensitive, as their breakthrough hit, "Sweet Child O' Mine," showed. While Slash and Izzy Stradlin ferociously spit out eling guitar riffs worthy of Aerosmith or the Stones, Axl Rose screeched out his tales of sex, drugs, and apathy in the big city. Meanwhile, bassi

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