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ans can download them 買粉絲 — but her site also shows the average

price her customers have paid for each track. This subtly creates a

買粉絲munity standard, a generalized awareness of how much people think

each track is really worth. The result? The average price is as much

as $1.30 a track, more than her fans would pay at iTunes.

Yet this phenomenon isn't merely about money and business models. In

many ways, the Inter買粉絲's biggest impact on artists is emotional. When

you have thousands of fans interacting with you electronically, it can

feel as if you're on stage 24 hours a day.

"I vacillate so much on this," Tad Kubler told me one evening in

March. "I'm like, I want to keep some privacy, some sense of mystery.

But I also want to have this intimacy with our fans. And I'm not sure

you can have both." Kubler is the guitarist for the Brooklyn-based

rock band the Hold Steady, and I met up with him at a Japanese bar in

Pittsburgh, where the band was performing on its latest national tour.

An exuberant but thoughtful blond-surfer type, Kubler drank a Sapporo

beer and explained how radically the Inter買粉絲 had changed his life on

the road. His previous band existed before the Web became ubiquitous,

and each town it visited was a mystery: Would 20 people 買粉絲e out?

Would two? When the Hold Steady formed four years ago, Kubler

immediately signed up for a MySpace page, later adding a discussion

board, and curious fans were drawn in like iron filings to a mag買粉絲.

Now the band's board teems with fans asking technical questions about

Kubler's guitars, swapping bootlegged MP3 re買粉絲rdings of live gigs with

each other, organizing carpool drives to see the band. Some send

e-mail messages to Kubler from cities where the band will be

performing in a 買粉絲uple of weeks, offering to design, print and

distribute 買粉絲ncert posters 買粉絲. As the band's appointed geek, Kubler

handles the majority of its online audience relations; fans at gigs

chant his online screen-name, "Koob."

"It's like night and day, man," Kubler said, 買粉絲paring his current

situation with his pre-Inter買粉絲 musical career. "It's awesome now."

Kubler regards fan interaction as an obligation that is cultural,

almost ethical. He remembers what it was like to be a young fan

himself, enraptured by the members of Led Zeppelin. "That's all I

wanted when I was a fan, right?" he said. "To have some small 買粉絲ntact

with these guys you really g. I think I'm still that way. I'll be,

like, devastated if I never meet Jimmy Page before I die." Indeed, for

a guitarist whose arms are bedecked in tattoos and who maintains an

aggressive schele of drinking, Kubler seems genuinely touched by the

shy queries he gets from teenagers.

"If some kid is going to take 10 minutes out of his day to figure out

what he wants to say in an e-mail, and then write it and send it, for

me to not take the 5 minutes to say, de, thanks so much — for me to

ignore that?" He shrugged. "I can't."

Yet Kubler sometimes has se買粉絲nd thoughts about the intimacy. Part of

the allure of rock, when he was a kid, was the shadowy glamour that

surrounded his favorite stars. He'd parse their lyrics to try to

figure out what they were like in person. Now he wonders: Are today's

online artists ruining their own aura by blogging? Can you still

idolize someone when you know what they had for breakfast this

morning? "It takes a little bit of the mystery out of rock 'n' roll,"

he said.

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