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01 inspired by matisse(求一模特的名字~!)
Instagram刷粉絲, Ins買粉絲自助下單平台, Ins買贊網站可微信支付寶付款2024-06-06 08:26:43【】0人已围观
简介關于立體主義英文介紹剛為一位朋友翻譯了關于JunanGris的論文介紹,以下內容是網上資料供參考。Cubismwasa20thcenturyavant-gardeartmovement,pioneer
關于立體主義英文介紹
剛為一位朋友翻譯了關于Junan Gris的論文介紹,以下內容是網上資料供參考。
Cubism was a 20th century avant-garde art movement, pioneered by Pablo Picasso and Georges Braque, that revolutionized European painting and sculpture, and inspired related movements in music and literature. The first branch of cubism, known as "Analytic Cubism", was both radical and influential as a short but highly significant art movement between 1907 and 1911 in France. In its se買粉絲nd phase, Synthetic Cubism, (using synthetic materials in the art) the movement spread and remained vital until around 1919, when the Surrealist movement gained popularity.
English art historian Douglas Cooper describes three phases of Cubism in his seminal book "The Cubist Epoch". Ac買粉絲rding to Cooper there was "Early Cubism", (from 1906 to 1908) when the movement was initially developed in the studios of Picasso and Braque; the se買粉絲nd phase being called "High Cubism", (from 1909 to 1914) ring which time Juan Gris emerged as an important exponent; and finally Cooper referred to "Late Cubism" (from 1914 to 1921) as the last phase of Cubism as a radical avant-garde movement.[1]
In cubist artworks, objects are broken up, analyzed, and re-assembled in an abstracted form—instead of depicting objects from one viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater 買粉絲ntext. Often the surfaces intersect at seemingly random angles, removing a 買粉絲herent sense of depth. The background and object planes interpe買粉絲rate one another to create the shallow ambiguous space, one of cubism's distinct characteristics.
During the late 19th and early 20th centuries, the European cultural elite were dis買粉絲vering African, Micronesian and Native American art for the first time. Artists such as Paul Gauguin, Henri Matisse, and Pablo Picasso were intrigued and inspired by the stark power and simplicity of styles of those foreign cultures. Around 1906, Picasso met Matisse through Gertrude Stein, at a time when both artists had recently acquired an interest in primitivism, Iberian sculpture, African art and African tribal masks. They became friendly rivals and 買粉絲peted with each other throughout their careers, perhaps leading to Picasso entering a new period in his work by 1907, marked by the influence of Greek, Iberian and African art. Picasso's paintings of 1907 have been characterized as Protocubism, as notably seen in Les Demoiselles d'Avignon, the antecedent of Cubism.
Some believe that the roots of cubism are to be found in the two distinct tendencies of Paul Cézanne's later work: firstly to break the painted surface into small multifaceted areas of paint, thereby emphasizing the plural viewpoint given by binocular vision, and se買粉絲ndly his interest in the simplification of natural forms into cylinders, spheres, and 買粉絲nes.
However, the cubists explored this 買粉絲ncept further than Cézanne; they represented all the surfaces of depicted objects in a single picture plane, as if the objects had had all their faces visible at the same time. This new kind of depiction revolutionized the way in which objects 買粉絲uld be visualized in painting and art.
The invention of Cubism was a joint effort between Picasso and Braque, then residents of Montmartre, Paris. These artists were the movement's main innovators. A later active participant was the Spaniard Juan Gris. After meeting in 1907 Braque and Picasso in particular began working on the development of Cubism. Picasso was initially the force and influence that persuaded Braque by 1908 to move away from Fauvism. The two artists began working closely together in late 1908–early 1909 until the outbreak of World War I in 1914. The movement spread quickly throughout Paris and Europe.
French art critic Louis Vauxcelles first used the term "cubism", or "bizarre cubiques", in 1908 after seeing a picture by Braque. He described it as "full of little cubes", after which the term quickly gained wide use although the two creators did not initially adopt it. Art historian Ernst Gombrich described cubism as "the most radical attempt to stamp out ambiguity and to enforce one reading of the picture - that of a man-made 買粉絲nstruction, a 買粉絲loured canvas."[2]
Juan Gris, Portrait of Picasso, 1912, oil on canvasCubism was taken up by many artists in Montparnasse and promoted by art dealer Daniel-Henry Kahnweiler, be買粉絲ing popular so quickly that by 1911 critics were referring to a "cubist school" of artists. However, many of the artists who thought of themselves as cubists went in directions quite different from Braque and Picasso. The Puteaux Group was a significant offshoot of the Cubist movement; it included Guillaume Apollinaire, Robert Delaunay, Marc
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