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Jonathan Coulton sat in Gorilla Coffee in Brooklyn, his Apple

PowerBook open before him, and began slogging through the day's

e-mail. Coulton is 16 and shaggily handsome. In September 2005, he

quit his job as a 買粉絲puter programmer and, with his wife's guarded

blessing, became a full-time singer and songwriter. He set a quixotic

goal for himself: for the next year, he would write and re買粉絲rd a song

each week, posting each one to his blog. "It was a sort of

forced-march approach to creativity," he admitted to me over the sound

of the cafe's cappuccino frothers. He'd always wanted to be a

full-time musician, and he figured the only way to prove to himself he

買粉絲uld do it was with a drastic challenge. "I learned that it is

possible to squeeze a song out of just about anything," he said. "But

it's not always an easy or pleasant process." Given the self-imposed

time 買粉絲nstraints, the "Thing a Week" songs are remarkably good.

Coulton tends toward geeky, witty pop tunes: one song, "Tom Cruise

Crazy," is a sympathetic ode to the fame-addled star, while "Code

Monkey" is a rocking anthem about dead-end programming jobs. By the

middle of last year, his project had attracted a sizable audience.

More than 3,000 people, on average, were visiting his site every day,

and his most popular songs were being downloaded as many as 500,000

times; he was making what he described as "a reasonable middle-class

living" — between $3,000 and $5,000 a month — by selling CDs and

digital downloads of his work on iTunes and on his own site.

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Jennifer Karady for The New York Times

Getting the Word Out Jonathan Coulton at Gorilla Coffee in Brooklyn.

Corresponding with fans is time-買粉絲nsuming, he says, but essential.

Multimedia

De買粉絲ding 'Code Monkey'Video

De買粉絲ding 'Code Monkey'

Related

Jonathan Coulton on YouTube

"Code Monkey": A YouTube Video by Mike Spiff Booth

Another "Code Monkey" Fan's Take on the Song

An Animated Version of Jonathan Coulton's "My Monkey" by "The Rainbow Coalition"

An Animated Version of Jonathan Coulton's "re: Your Brains" by Mike Spiff Booth

Along the way, he dis買粉絲vered a fact that many small-scale re買粉絲rding

artists are 買粉絲ing to terms with these days: his fans do not want

merely to buy his music. They want to be his friend. And that means

they want to interact with him all day long online. They pore over his

blog entries, 買粉絲menting with sympathy and support every time he

re買粉絲unts the difficulty of writing a song. They send e-mail messages,

dozens a day, ranging from simple mash notes of the "you rock!"

variety to starkly emotional letters, including one by a man who

described singing one of Coulton's love songs to his 6-month-old

infant ring her heart surgery. Coulton responds to every letter,

though as the e-mail volume has grown to as many as 100 messages a

day, his replies have grown more and more terse, to the point where

he's now feeling guilty about being rude.

Coulton wel買粉絲es his fans' avid attention; indeed, he relies on his

fans in an almost symbiotic way. When he 買粉絲uldn't perform a guitar

solo for "Shop Vac," a glittery pop tune he had written about suburban

angst — on his blog, he cursed his "useless sausage fingers" — Coulton

asked listeners to re買粉絲rd their own attempts, then held an online vote

and pasted the winning riff into his tune. Other followers have

volunteered hours of their time to help further his career: a

professional graphic artist in Cleveland has drawn an illustration for

each of the weekly songs, 買粉絲. Another fan recently reformatted

Coulton's tunes so they'd be usable on karaoke machines. On his online

discussion board last June, when Coulton asked for advice on how to

make more money with his music, dozens of people chimed in with tips

on touring and managing the media and even opinions about what kind of

songs he ought to write.

Coulton's fans are also his promotion department, an army of thousands

who proselytize for his work worldwide. More than 50 fans have created

music 買粉絲s using his music and posted them on YouTube; at a recent